Bach J. S. : Notebook For Anna Magdalena 1725: Piano (Barenreiter)

Bach J. S. : Notebook For Anna Magdalena 1725: Piano (Barenreiter)

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  • SKU: 7527951
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Overview

  • Urtext from the “New Bach Edition”
  • Preface (Ger/Eng) on the composition of the work and sources
  • Includes notes on interpretation
  • Edition without fingering also available (BA 5164)

Product Specs

  • Product Number: BA5242
  • Publisher: Barenreiter
  • Barcode: 9790006524396
  • Arrangement: Piano Solo
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“A mendicant woman from the Haynstrasse, aged 59 years, Anna Magdalena, née Wilckin, widow of Mr. Johann Sebastian Bach, cantor at the St. Thomas School” – thus reads the entry dated 29 February 1760 in the Leipzig "Ratsleichenbuch” (City Register of Deaths) for a woman whose name has become known throughout the world thanks to the two music books put together for her by Johann Sebastian Bach.

Bach himself opened the book with two of the large Partitas subsequently published in the first part of the "Clavierübung”; the rest of the contents was determined by Anna Magdalena. On the whole, these are short pieces of “galanterie”: minuets, polonaises, marches, compositions by the elder children and attempts by the younger ones, little pieces, which she copied out of the family guest book and which had been written there more or less as tokens of friendship by the many visitors in the Bach home.

The fingerings which have been added by Renate Kretschmar-Fischer represent a selection among many conceivable options. They have been chosen with a particular eye to the inspiration that this marvellous volume from Bach’s family circle can still impart to piano lessons today. In this sense, they also accommodate small hands searching for an ideal connection between physical dexterity, sensible voice-leading, and musical design.

Renate Kretschmar-Fischer studied in the master class of Conrad Hansen and was a scholarship holder at the Music Summer School in Bryanston (UK) where she worked with Arthur Schnabel, Monique Haas, Georges Enescu, Nadia Boulanger and Igor Stravinsky. For well over thirty years she taught as a professor at the Hochschule für Musik Detmold and was a jury member of numerous national and international competitions.

  • 1. Partita a-Moll von J. S. Bach, BWV 827)
  • 2. Partita e-Moll von J. S. Bach, BWV 830)
  • 3. Menuet F-Dur, BWV Anh. 113
  • 4. Menuet G-Dur von Chr. Petzold, BWV Anh. 114
  • 5. Menuet g-Moll von Chr. Petzold, BWV Anh. 115
  • 6. Rondeau B-Dur von Fr. Couperin, BWV Anh. 183
  • 7. Menuett G-Dur, BWV Anh. 116
  • 8. Polonaise F-Dur a) 1. Fassung, BWV Anh. 117a b) 2. Fassung, BWV Anh. 117b
  • 9. Menuet B-Dur, BWV Anh. 118
  • 10. Polonaise g-Moll, BWV Anh. 119
  • 11. Choral Wer nur den lieben Gott läßt walten von J. S. Bach, BWV 691
  • 12. Unbezeichneter Satz F-Dur, BWV 510 / Untitled movement in F major, BWV 510 (Choral Gib dich zufrieden und sei stille)
  • 13. Choral Gib dich zufrieden und sei stille von J. S. Bach a) g-Moll, BWV 511 b) e-Moll, BWV 512
  • 14. Menuet a-Moll, BWV Anh. 120
  • 15. Menuet c-Moll, BWV Anh. 121
  • 16. Marche D-Dur von Ph. E. Bach, BWV Anh. 122
  • 17. Polonaise g-Moll von Ph. E. Bach, BWV Anh. 123
  • 18. Marche G-Dur von Ph. E. Bach, BWV Anh. 124
  • 19. Polonaise g-Moll von Ph. E. Bach, BWV Anh. 125
  • 20. Aria So oft ich meine Tobackspfeife a) d-Moll, BWV 515 b) g-Moll, BWV 515a c) Gedicht: Erbauliche Gedanken eines Tobackrauchers .
  • 21. Menuet fait par Mons. Böhm
  • 22. Musette D-Dur, BWV Anh. 126
  • 23. Marche Es-Dur, BWV Anh. 127
  • 24. (Polonaise) d-Moll, BWV Anh. 128
  • 25. Aria Bist du bei mir von G. H. Stölzel (?), BWV 508
  • 26. Aria für Klavier G-Dur von J. S. Bach, BWV 988,1
  • 27. Solo per il Cembalo Es-Dur von Ph. E. Bach, BWV Anh. 129
  • 28. Polonaise G-Dur, BWV Anh. 130
  • 29. Praeludium C-Dur von J. S. Bach, BWV 846,1
  • 30. Suite l pour le Clavessin (d-Moll) von J. S. Bach, BWV 812)
  • 31. Suite 2 pour le Clavessin (c-Moll) von J. S. Bach, BWV 813)
  • 32. Unbezeichneter Satz F-Dur, BWV Anh. 131 / Untitled movement in F major, BWV Anh. 131
  • 33. Aria Warum betrübst du dich, BWV 516
  • 34. Recitative Ich habe genug und Aria Schlummert ein, ihr matten Augen von J. S. Bach, BWV 82
  • 35. Choral Schaffs mit mir, Gott, BWV 514
  • 36. Menuet d-Moll, BWV Anh. 132
  • 37. Aria di Giovannini Willst du dein Herz mir schenken,BWV 518
  • 38. Aria Schlummert ein, ihr matten Augen (vgl. Nr. 34 / cf. no. 34)
  • 39. Choral Dir, dir, Jehova, will ich singen von J. S. Bach, BWV a) vierstimmig / in four voices b) für eine Singstimme / for one voice
  • 40. Choral Wie wohl ist mir, o Freund der Seelen, BWV 517
  • 41. Aria Gedenke doch, mein Geist, zurücke, BWV 509
  • 42. Choral O Ewigkeit, du Donnerwort, BWV 513
  • 43. Gedicht Ihr Diener, werte Jungfer Braut (Faksimile / Facsimile)
  • 44. Generalbassregeln I / Rules for figured bass I
  • 45. Generalbassregeln II / Rules for figured bass II
  • Anhang / Appendix
  • I. Sonata per il Cembalo Solo von Ph. E. Bach (zu Nr. 19 / for no. 19)
  • II. Sonata per il Cembalo (Sonata in Es-Dur / in E-flat major von Ph. E. Bach (zu Nr. 27 / for no. 27)
  • Anmerkung zum Fingersatz / Note on Fingering

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Leading Specialist Supplier

We are one of the top suppliers of woodwind, brass and orchestral strings across Sussex and are main agents for most of the instruments we sell. We only list instruments we normally carry in stock.

Full Workshop Facilities

Our instruments are fully checked and set up through our workshop to ensure perfect playing.

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